difference between a sync clip and multicam

When setting video parameters, don’t make the project frame size larger than your largest clip and match frame rates with the clip you expect to use the most. In the dialog, give the multicam clip a name and determine how you want to sync the elements.You can edit at least 3X the number of clips using proxies than camera native media. If performance is an issue, transcode the clips into proxies. NOTE: The speed of your storage will determine how many clips you can edit at once. Select all the clips you want to combine into a multicam clip in the Browser.If you are matching clips using timecode or audio, skip this step. If you are using clapper slates and markers, set the markers before you create the multicam clip.The fastest way to sync clips is using matching timecode (which is set during production) or to set a marker in each clip where the clapper slate “claps.” This marker needs to be the first marker in each clip. However, this can take time and requires the same audio on all clips. The easiest way to sync clips is to have Final Cut Pro X match the audio between all the clips. Use multicam editing to edit your video, then, in a second pass, expand all audio tracks and work on your mix. NOTE: Multicam editing is NOT the same as audio mixing. This standardizes all clips in the multicam into ProRes 422, though it won’t change frame sizes or frame rates. The best way to match media is to optimize it. While you can mix and match codecs, frame size, frame rate and scanning, you will get the best performance if they match. A single multicam clip can contain video, audio, and/or stills. This “cookbook” is designed to provide a checklist to quickly create, view and edit multicam clips in Final Cut Pro X.Ĭreating a multicam clip is simple if you follow these instructions.

Difference between a sync clip and multicam